|
|
|
|
|
The Vision of Saint John
Painting ID:: 9845
|
Cano, Alonso
The Vision of Saint John
1635, Wallace Collection at London.
|
| |
|
|
|
|
|
|
|
|
|
St. John the Evangelist with the Poisoned Cup a
Painting ID:: 9846
|
Cano, Alonso
St. John the Evangelist with the Poisoned Cup a
canvas, Mus??e du Louvre, Paris.
|
| |
|
|
|
|
|
|
|
|
|
St James the Greater
Painting ID:: 9848
|
Cano, Alonso
St James the Greater
canvas, Mus??e du Louvre, Paris
|
| |
|
|
|
|
|
|
|
|
|
The Dead Christ Supported by an Angel r
Painting ID:: 9849
|
Cano, Alonso
The Dead Christ Supported by an Angel r
1646-52, oil on canvas, Muso del Prado at Madrid.
|
| |
|
|
|
|
|
|
|
|
|
St John the Evangelist with the Poisoned Cup (mk05)
Painting ID:: 20340
|
Cano, Alonso
St John the Evangelist with the Poisoned Cup (mk05)
Canvas,21 1/4 x 14 1/4''(54 x 36 cm).Acquired in 1977
|
| |
|
|
|
|
|
|
|
|
| Prev Artist Next Artist
|
|
|
Cano, Alonso
|
|
Spanish, 1601-67
Spanish painter, sculptor and architect. He was an artist of rare versatility in 17th-century Spain, although his architectural work was not extensive. While he is also known for his drawings, only about 60 of these are definitely attributable to him, despite the many extant sketches with the name 'Cano' carelessly added by later hands. Unlike most of his Spanish contemporaries, such as Zurbaren or Velezquez, whose artistic styles did not outlive them, Cano's artistic legacy is measured in part by the number of artists who trained in his workshop and went on to become important masters in their own right: the painters Pedro Atanasio Bocanegra, Juan de Sevilla (1643-95) and, more distantly, Jos Risueo, and the sculptors Pedro de Mena and Jos de Mora, |
|
Related Artists::.
| alexander wetterling | Arnoldus Bloemers | Hannah Palmer | |
|
